The Hemlock Notations

~ The writings of Faust S. Amazing

Tag Archives: how do I write

If You’re Reading This You Should Be Writing

02 Sunday Feb 2014

Posted by Faust S. Amazing in Uncategorized

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how do I write, Samuel Eden, writing

“If you only write when you’re inspired you may be a fairly decent poet, but you’ll never be a novelist because you’re going to have to make your word count today and those words aren’t going to wait for you whether you’re inspired or not.
You have to write when you’re not inspired. And you have to write the scenes that don’t inspire you. And the weird thing is that six months later, a year later, you’ll look back at them and you can’t remember which scenes you wrote when you were inspired and which scenes you just wrote because they had to be written next.
The process of writing can be magical. Mostly it’s a process of putting one word after another.”
Neil Gaiman, talking with Chris Hardwick

People always ask me: how do I go about writing the actual act. Neil Gaiman’s words sum it up. I sit down and I write. That’s what you have to do if you want to be a writer.

This is for all you beginners out there. For those of you who “have a great idea but I’m just never in the mood to write” people. The act of writing isn’t some divine rite. The stars don’t need to align in just the right way for you to sit down and write. The physical act of writing is like any other hobby or skill, you have to make the time to do it.

You need to carve out a time that you decide is time for you to write. Even if it’s just an hour on Sunday afternoon, that’s fine. When Sunday rolls around you grab your laptop/computer/paper and pen, go somewhere and sit with it. For the next hour that’s all you do.

Seriously, for the next hour do nothing but stare at the blank page or computer screen and thinking about your writing (whatever it is your writing). You may even write something, but don’t be discouraged if you don’t. And don’t do anything else.

Just you.

And the computer/paper.

And the story.

At the end of the hour you’re free to go. When the next Sunday rolls around grab your laptop/computer/pen and paper and go somewhere for an hour. Again you sit there with your computer/paper and you think about your writing.

Again, if you write something, that’s great. But don’t be surprised if you don’t. Don’t be discouraged if you don’t write anything (or if you write only a paragraph or two). This isn’t to gauge yourself as a writer, and it’s not about developing the process by which you write. It’s much more basic than that, it’s about developing the mindset, the habit, of writing.

When I started writing my first novel, Superiority Complex, I would get up in the morning, eat breakfast, and then sit down in front of my computer to write. Up until this point I’d only written short stories; these are relatively simple, I could sit down for a couple hours (up to six) and pound them out. The task of the novel is a different animal. I would sit in front of my blank screen staring at the blinking cursor. I’d type a sentence. Delete the sentence. Type another. Delete that one too. Sit in frustration hating the white screen. I wouldn’t move though. I wouldn’t play computer games. I’d cheat every forty-five minutes or so and check my e-mail, but then go right back to the blank document.

It was the most frustrating thing in the world. I had all these ideas about what I wanted to say and what I wanted my characters to be like but it was all stuck in my head. Eventually I’d attack the keyboard and write out of pure frustration. I was frustrated that I was wasting time I could have been working to help my wife support us. I was frustrated that a blank screen was defeating me. I was frustrated that my awesome ideas weren’t out there for everyone to enjoy.

Most of what I wrote like that I ditched. It wasn’t as awesome as I hoped, but some of it was good and I kept that. My point is two-fold: frustration is part of the writing process (especially at the beginning), and you have to develop the habit of writing so you can write. It got to the point where I was writing every day and I felt great.

Once you’re writing consistently every Sunday for that hour, you can work on finding more time to write and even on finding your process. First and foremost though, you have to get in the habit of writing.

Zen and the Art of Writing Mechanics

14 Tuesday Jan 2014

Posted by Faust S. Amazing in Uncategorized

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editing, editing process, how do I write, Samuel Eden, the writing process, writing

It’s been said by better people than me (over and over again) about many, many things: you have to have a firm grasp of the fundamentals to be able to do anything well. Why people think they can ignore it about writing and language is beyond me.

I recently joined a writing group. I was shocked by myself when I started reading others’ writing. Honestly, I didn’t think I was that guy. I thought I was more concerned with the stories than the grammar rules. However, I found myself floundering to get to the story because of the misuse of the words involved.

This is not another rant about comma use. No this is much more fundamental. This is about the misuse of language.

For instance (and every writer struggles with this one), passivity. Passive verb forms keep an action from fully forming (and people could argue that they keep a character and, more importantly, a story from fully developing as well). Examples of a passive sentence: Jenna was starting to understand. Active sentence: Jenna started to understand. Even better: Jenna understood now. You need your characters doing things otherwise you have a story that might have been instead of a story that is.

Another specific example of things that can muddle the pace of the story and put off your reader is prepositional phrases. Not that you shouldn’t use these, but over using them can cause sentence to keep going well past their intended point. Example: “ It’s not my fault,” said Johnny, who had to let the ball go in order to hang on. This is a speech tag, yet the sentence doesn’t just tell us who’s talking it goes into action too…except it doesn’t, because there are three prepositional phrases strung together. This is an example of overcomplicating a sentence.

Like I said, I really didn’t want to be this guy but I found myself missing the story being told because of constant misuses like these. It’s like seeing someone with matted hair, dirty t-shirt, and ripped jeans walking down the street. Is that a person you’d randomly stop so you could talk to them? It’s entirely possible that this person is a sensitive poet who’s had a bad couple of weeks and is on the way to do laundry and a shower, but are you going to test those odds?

The story actually has it worse than the afore mentioned person. If you did take the chance and stop to talk to the person, and they did turn out to be a down on their luck poet you might be able to look past the unkempt appearance. With the story though (and this is my point), the words are the story and the story is the words you use to tell it. Make sure your story is presentable.

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